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A vivid account of the creation of one of literary modernism’s greatest achievementsIn a 1924 letter to André Gide, Thomas Mann said he would soon be sending along a copy of his new novel, The Magic Mountain. “But I assure you that I do not in the least expect you to read it,” he wrote. “It is a highly problematical and ‘German’ work, and of such monstrous dimensions that I know perfectly well it won’t do for the rest of Europe.”Morten Høi Jensen’s approachable and informative study of The Magic Mountain positions Mann as a writer who was contradictory to his core: an artist who dressed and behaved like a businessman; a homosexual in a conventional marriage with six children; an upstanding burgher obsessed with death and corruption. Very much the kind of man who would send someone a book and tell them not to read it. Continue reading...
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